I wasn't sure how to answer this question emailed to me from a new Instructor. So I blasted it out to a bunch of Smart & Talented Instructors I know for their responses.
You and I have exchanged emails before. I am a relatively new instructor (at age 48!)…. Just got my first steady teaching gig (3 classes per week). What I find to be the single biggest challenge as a new instructor is music- music flow, and knowing what drills or activities to do to what music. It is SUPER easy to get a certification…. I am Madd Dogg certified, and will be attending my first WSSC this May. I feel at such a loss though when it comes to setting up a class…. And feel as though I let hours of time evaporate listening to music but not knowing how to incorporate it effectively into what I am doing….
I have a ton of respect for what you do and have been following your facebook page and blog for sometime. I am happy to buy an ICI/pro membership, I am just reluctant at this point to invest in any more resources that I underutilize. Wondering what advice you might have?
Thanks so much for your time!
Thanks for writing Irene! Here are a few ideas for you…
First from contributor Chris Hawthorne AKA Chrispins – that's a link to her excellent website. You can find all of Chris' informative ICI/PRO articles here)
Next up is Grit Cycling's Rockstar Instructor Cassie Piasecki
How about a male perspective? Stages Indoor Cycling Master Educator Dunte Hector suggests…
But visualization rides require helping your participant engage with the course. I ride my bike outdoors year-round and I base my visualization rides on routes I've been on. I tend to turn to my own feelings during those rides. Over rolling hills on a beautiful day, I can get lost in a smooth electronic track with a steady beat. On sharp, punchy climbs with the wind in my face, I need the hook from an aggressive rap track or a wailing guitar from a punk rock song. From my outdoor experiences, knowing there are multiple climbs or anticipating a hard sprint in a group ride, it is okay for the music to run on a little long, to build up, to create some frantic energy.
To manage musical flow, you have to understand the physical demands of the ride. If it's going to be a long, hard ride with little rest, don't be afraid to keep things aggressive – but remember to lighten up at the end of an effort. Every climb eventually ends, every sprint has a finish line, and, at some point, you can always choose to turn out of the wind. Your music should do the same.
Dunte and I had a fun conversation here where you can hear why I instantly added him to the Smart & Talented list 🙂
I've got a bunch more responses that you'll find here. But before you go… how would you have responded?
John is a member on the AFS (Association of Fitness Studios) Advisory Council.
Holding certifications from; Schwinn, Heart Zones, Team ICG and Life Time Fitness, John's held regularly scheduled cycling classes between 1998 and 2015 when he moved to Florida.
When the weather permits, you'll find him riding and leading outdoor groups by himself or with his Tandem partner (wife) Amy.
Latest posts by John (see all)
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