Putting the Warm-Up to the Test

Putting the Warm-Up to the Test

The beginning of class can be disjointed at times. Riders are trying to get settled. Some people are still chatting (loudly) and we are trying to establish that official “class has started” moment. Then 5 new people show up and need to be setup on their bikes.

Yesterday I’m teaching at a club I’ve taught at for over 7 years.  The cycling class is held in a multi-purpose room, so each member is responsible for pulling their bike onto the floor from the side of the room.  The class starts right on time (I’m a stickler for punctuality).  Five minutes into the class, 5 “new” riders enter the room.  All of them have on running type sneakers and they are standing next the to the remaining bikes and appear confused.

I meet them at the back of the room and immediately understand their hesitation. The bikes are equipped with Schwinn Triple-Link pedals, which allow for the standard SPD clip on one side and then a removable toe cage on the other side, which accepts a LOOK compatible cleat. The problem was that none of the available bikes had toe cages. I found a set of cages thrown to the side. One cage was missing a strap, which I found and re-threaded. Then I went around the room to other riders who were not using their cages and started removing them from their bikes to allow the remaining 4 people to ride. Throw in a few bike setups and now we were 15 minutes into class before I re-emerged back at the front of the room.

Obviously, the big challenge was not the pedal hunt, but trying to teach the class and keep everyone focused while controlled chaos was unfolding in the back of the room. At the time my 5 newbies entered the room, I had just finished my opening spiel. So while I was getting them situated, I was simultaneously leading the class through some Spin-Ups (short 10-second accelerations followed by 20 seconds of easy pedaling) and then a set of 30-second speed intervals. In addition to staying on top of the timing, I found myself continually pushing the headset mic onto the top of my head so I could talk with the new riders without our conversation bombing over the sound system.

As chaotic as all of this was, I actually love this kind of challenge. As a cycling coach, I spend a good amount of time coaching off the bike.  I’m constantly leading drills while speaking one-on-one with riders to help them with specific issues and technique.  But it made me think, “how could an instructor train themselves to handle a situation like I experienced gracefully?” Here is a suggestion:

Try teaching your entire intro and warm-up off the bike.  But don’t just stand at the front of the room. Instead walk around from rider to rider.  Pace the isles (if you have them).  Provide encouragement and make suggestive corrections as you go.  Try to keep track of the timing and any intervals.  See how it goes.  Remember, it is all about experience.  Obtaining the ability to stay on task and keep your riders focused in this way will provide some great preparation when those 5 new riders show up at the last minute.

Also, please share any other tips you have used to stay in control and command when all hell breaks loose.

Originally posted 2017-03-30 18:50:10.

Putting the Warm-Up to the Test

Training Formats for Class Design, Part 1

By ICG® Master Trainer Jim Karanas

Building a class profile can be one of the most enjoyable aspects of teaching Indoor Cycling.  Instructors sometimes find it stressful because they feel they’re “out of ideas.”

There are many approaches to class design.  A few possibilities are:  music as the road; duplicating an actual ride profile with which you’re familiar; fully interacting with selected videos; teaching cycling principles and philosophy; and eliciting specific training adaptations.

A general approach can become static over time.  That’s what’s so much fun.  Because of the many training elements that indoor cycling utilizes, any general approach can remain fresh and inspiring.  Indoor cycling lends itself to structure, so it’s easy to formulate new and exciting variations on common training formats.

Intervals are a perfect example; every instructor uses them.  There are thousands of ways to put a class through intervals.  But the creative instructor is the one who comes up with an interval format you haven’t experienced before.

Once I decide on my approach to building my class for the day, my mind searches for an organizational format that supports the approach.  For example, I decide that my approach to today’s class will be to teach a cycling principle.  The principle will be cadence.  With my approach and underlying principle selected, I need a structure to support that principle — and make the class enjoyable at the same time.  It’s that last part that may take some creativity.

Having planned thousands of classes over the years, I frequently return to four basic organizational formats:  Intervals, Ladders (or Ramps), Pyramids, or Steady State.  These four organizational formats form the backbone that supports any indoor cycling class.  The key to creative instruction is to find new ways to use them.

INTERVALS

Interval training is a common training technique designed to improve strength, power, aerobic capacity or endurance.  It alternates periods of higher-intensity work with periods of recovery (i.e., lower-intensity work).  Depending on the length of the work and rest periods, intervals may be aerobic or anaerobic.  The higher-intensity periods instructors typically use are at, or close to, an anaerobic level of effort, but they can actually be of any intensity.  That fact alone can generate a great deal of variation in a class.

The ratio of work to recovery will usually vary with the intensity of the work effort.  Max-effort intervals, for example, are necessarily short, with recovery periods of equal or greater duration than the work interval.  Aerobic intervals may be longer and require much briefer recovery.  The recovery periods may permit either complete recovery (full drop in heart rate) or limited recovery of lower, but not resting-level, intensity.

Sample interval workout:

  • 5 minutes of warm-up:  light ride, low intensity, gradually increasing at the end of the warm-up period
  • 1 minute of moderate or high intensity, followed by 1 minute of low intensity.  Repeat six to eight times.
  • 5 minutes of cool-down:  light ride, low intensity, gradually decreasing by the end of the cool-down period

The above is a standard interval format that every indoor cycling instructor has used in his or her class at one time or another.

How can the intervals be varied?  Here are some suggestions.

  1. Use different durations for the work and recovery efforts.  A 2:1 format, with 2 minutes of seated climb at 75 RPM and 1 minute of recovery spin at 100 RPM is a good rollers simulation.
  2. Alternate the difference.  2:1, 1:2, 2:1, 1:2.  2 minutes moderately hard with 1 minute of recovery, followed by 1 minute very hard with 2 minutes of recovery.
  3. Vary the recovery.  2:1, 2:3, 2:1, 2:3.  2 minutes very hard with 1 minute of limited recovery, followed by another 2 minutes very hard with 3 minutes of full recovery.
  4. Vary with no pattern.  This is called “fartlek.” The name is Swedish for “speed play”.  It consists of hard-effort bursts of different durations, followed by recovery of different durations.  The lack of predictability increases overall intensity, compared with standard interval training.  2:1, 4:1, 2:5, 3:3, 1:2, 4:3.

LADDERS

A ladder, also known as a ramp, is a training technique that involves progressive, incremental increases in one or more training variables, such as duration, resistance, cadence or heart rate.  The progression can either increase or decrease.  The ladder can be continuous or in interval format.

Here are some examples of a ladder, using an interval format:

  1. Increase the work duration, keeping the recovery constant.  1:1, 2:1, 3:1, 4:1.
  2. Decrease the work duration, keeping the recovery constant.  4:1, 3:1, 2:1, 1:1.  These “descending intervals” are a commonly used form of a decreasing ladder.  As the interval duration decreases, some other training variable increases.
  3. Maintain the work duration while decreasing the recovery.  1min:1min,  1min:45sec,  1min:30sec,  1min:15sec.
  4. Increase the work and decrease the recovery.  0:2min, 30sec:1min,  45sec:45sec, 1min:30sec, 2min:0.  Easy for 2 minutes, followed by 30 sec hard with 1 minute easy, followed by 45 sec hard and 45 sec easy, followed by 1 min hard and 30 sec easy, catch your breath quickly and hammer the last 2 minutes.

 

A ladder can also be continuous.  My favorite is a 10-minute, 4-3-2-1 format:  4 minutes easy, 3 minutes a little harder, 2 minutes a little harder, and 1 minute hard.  These are done with no recovery between them.  The often-used song Mojave by Afro Celt Sound System is perfect for a 10-minute, 4-3-2-1 ladder.

The next post will cover variations in pyramids and steady state training.

 

Originally posted 2012-04-09 06:51:30.

Putting the Warm-Up to the Test

Crappy Weather? Then how about a 2 Hour Endurance Class?

Mn Ironman bike ride.
Every year it's the same. We all have high aspirations that the weather will be nice enough to ride what's called the Minnesota Ironman Bicycle Ride. Not a true Ironman (no swimming or running thank God), this Ironman is the first large, organised/supported ride of the season. It gets its name from the notoriously crappy weather we normally have here in Minnesota the last Sunday in April and the foolish people who enjoy riding in it.

Twenty years ago freezing temps and a little rain wouldn't have stopped me from attending. Not having anything more to prove, I'm one of the first to politely decline any invitations – unless the forecast calls for a reasonably decent day. Rain is a non-starter, which was exactly what we experienced this morning. Add to that 37° F + 22 mph cross winds and a bunch of us found ourselves inside the warm and dry studio at Life Time Fitness 🙂

I like to ride with my class during long endurance rides. As this wasn't a regularly scheduled class, I have the freedom to sit in and enjoy the class with my friends and get the same workout as everyone else.

But I'm still “The Instructor” and everyone still expects a proper class. I start with an intro about how, as endurance athletes, we're all pretty self directed – so I'm going to be giving everyone a minimum amount of cuing and they will do the work they need to do.

My classes always include power and the first 15 minutes typically follow the same general format.

Warm Up — 10 minutes. 5 minutes of gradual increases in wattage. During the second 5 mins. we’re finding the wattage where everyone is first noticing a change in breathing; VT1 / Aerobic Threshold = the top of the Recover Zone. This establishes a rough understanding of a Base Level Wattage that we use throughout the rest of class.

3 x 30 sec. Hard / 30 sec. Easy – Openers to AT/LT. I cue these by first having everyone find the amount of load @ 70 RPM that has them feeling they should (not just could) come out of the saddle. The 30 sec. Hard is then simply accelerating to 90+ RPM which results in some pretty impressive power numbers. The 30 sec. Easy is back to 70 RPM — many will stand during the Easy portion.

1-3 minutes rest – I encourage riders to focus on their recovery. Once they feel calm in their breathing, bring back the Base Level Wattage.

3-5 min. Hard Effort — Here’s a “Best Effort” to establish a benchmark PTP Personal Threshold Power (top of the Perform Zone) or ride at 110% of FTP if known. It’s very helpful to riders to have that understanding of their personal upper wattage number. The “Best Effort” Threshold # + the Base Threshold # we found earlier form the three Power working zones I use in class. This “Best Effort also helps everyone understand where they are today… on this bike. Despite the efforts of our maintenance people, there are differences in the displayed wattage between bikes. My power meter was indicating that superman must have been riding it because I was seeing 320 watts, when I normally push ~240 watts at threshold.

With an Epic Planet DVD providing the entertainment, and me perched front & center between two regulars, we were off to virtually ride this year's Ironman indoors.

My cuing was very simple; depending on the song, we would ride at Base Level Wattage, Best Effort or something in between. Two hours is a long time to keep anyone's attention – so don't feel you need to. They're self-directed after all. Stand when you feel you need to and then give them a hard push at the end. You needn't make it any more difficult than that.

Here's my playlist.

Originally posted 2014-04-27 17:00:56.

Putting the Warm-Up to the Test

Don’t Ban Me Bro!

Do you need a bouncer outside your fitness studio?

This morning I read how Soul Cycle has been banning fitness instructors (from competing studios) who try to attend their class.

SoulCycle bans fitness instructors from its classes

About 10 days after hitting a SoulCycle class on a recent day off, Barry’s Bootcamp owner Joey Gonzalez got a phone call. It was a lawyer for the mega-popular cycling brand issuing a message: don’t come back.

“He essentially said we have a policy at SoulCycle where instructors at other group fitness studios are not allowed to take class,” Gonzalez says. “He seemed half embarrassed.” We reached out to SoulCycle’s public relations team for comment on the policy but did not hear back.

Gonzalez took to Facebook with the news, and his post went viral. (At time of this writing, it had 158 comments and 14 shares.) Other popular fitness instructors, like Natalie Uhling, Darryl Gaines, and Lindsey Clayton weighed in to say the same thing had happened to them. Flywheel instructors jumped in to invite trainers from other studios to come take their classes (“#team”), and tons of people weighed in to rail against the lack of “soul” the policy stood for.

Then I dug in to this story a bit more. The article references this post from rateyourburn.com addressing the same issue. They begin with listing a few reasons why it maybe OK to limit the access of Instructors from competing fitness clubs. I see it as incomplete… in fact, I feel they are missing the real concerns of Soul Cycle completely.

IS IT OKAY FOR FITNESS STUDIOS TO BAN INSTRUCTORS WHO WORK FOR THE COMPETITION?

Why do studios ban instructors employed by competitors?

  • Trade secrets. We suppose the primary reason studios do this is to prevent competitors from coming in and spying on their ways of business, copying them or stealing their methods.

  • Exclusivity. Perhaps some studios want to create a country club bubble, where only approved members are allowed within their establishment.

  • To ward off studio-bombing. On rare occasions, people do show up just to cause trouble. In our opinion, bad behavior is the only justifiable reason to ban a paying client.

Limiting access to your “Tribe”

Paul Harmeling from Full Psycle Studio really opened my eyes about what makes Soul Cycle so successful – how good they are at cultivating a “team” or “tribe” of passionate people who are united by their participation in class. This sense of community isn't just between the customers and Soul Cycle or the Instructor. There are a lot of relationships, both personal and professional, being made between the riders.

You've probably seen this at your club. It's no secret that common interests and activities build trust between people. That trust can lead to relationships that extend beyond the club. Over the years my family and I have chosen to do business with people we've gotten to know at our club;

  • Claudia is Amy and my financial planner – she's also been a longtime regular in our classes.
  • Amy first met Craig at the club. He later hired her and we've been friends of Craig and his wife Julie for 15 years.
  • Morry (another regular) arranged for daughter Abby's interview, which resulted in her current job.
  • Richard is an Instructor at our club. He's also a C level employee at a company where younger daughter Carly would like to have a summer internship…

I can easily understand why Soul Cycle (or your club for that mater) would want to limit access to their Tribe of passionate, fitness minded people who have the financial wherewithal to pay for premium classes.

Wouldn't these same people be prospective customers for any fitness business – especially a competitor located near by? 

Soul Cycle's “Tribe” is really their brand, the “special sauce” that makes them unique and profitable. Using attorneys to protect a brand from competitors isn't really any different from how Mad Dogg Athletic will do the same thing to protect the Spinning® brand from improper use.

I don't know anymore than what's been written, but I would venture this guess; Soul Cycle was concerned that Mr. Gonzalez was recruiting customers for his boot camp business. Neither of the articles, nor the Facebook post, explains how Soul Cycle's attorney would know Gonzalez was an Instructor… unless someone (maybe a class participant?) informed management.

What would you do in this situation?

Originally posted 2014-05-05 09:15:44.

The Weekly Ride – 12/07/18 Last Years Holiday Ride

The Weekly Ride – 12/07/18 Last Years Holiday Ride

Welcome to the The Weekly Ride by Cycling Fusion

Welcome to our new era of The Weekly Ride, you get:
  • Full Ride PDF
  • Apple Music Playlist
  • Spotify Playlist
  • File to Download the Ride directly into My Fitness DJ (Yes, no Programming)
  • The Ride will be available for purchase in the iClass Builder Store (No Programming)
  • A Podcast of the ride being delivered by a master instructor.

(more…)

Originally posted 2018-12-18 21:31:33.

Putting the Warm-Up to the Test

Heavy Breathing

By Team ICG® Master Trainer Jim Karanas

Cycling performance is all about oxygen. Muscle cells need oxygen to burn fuel and produce the energy necessary to power the muscle contractions that move us.  This is known as cellular respiration.

All indoor-cycling instructors have received rudimentary training around proper breathing on the bicycle, but it’s rarely the focus of a class.  Think about it.  Can you create and lead a class profile that focuses just on breathing exercises and make it compelling for 45-60 minutes?

OK, you’re thinking, “Why would I want to?”  But evidence indicates that we can improve breathing capacity with “inspiratory” muscle training and improve both performance and comfort.  In “Endurance training of respiratory muscles improves cycling performance in fit young cyclists” by Holm et al (2004), riders rode a simulated 40-kilometer race on a computerized exercise bike after weeks of inspiratory training.  Neither control group improved, but the experimental group rode 4.7 percent faster.

The trained riders found breathing hard more comfortable.  The respiratory muscles didn't tire, so they filled and emptied their lungs more often with less fatigue.  The fact that the athletes could breathe harder with no change in effort is an important finding because many people stop exercising due to severe shortness of breath.

Have you ever wondered what creates the need to breathe?

Of course, we breathe because we need O2.  But the urge to breathe is triggered by a high concentration of CO2 in the blood, not a lack of oxygen.  When we hyperventilate, we’re trying to dispel that CO2 and balance the pH of our blood.  Inspiratory muscle training improves not only breathing capacity but also tolerance for CO2.

So where do you start?  Some of the following techniques may help.

1. Integrate nasal breathing in your on-the-bike training.

Start with a short, low-intensity section of a ride.  See how it feels to breathe only through your nose.  Your anxiety may rise a bit with the sensation of not getting enough air.  Carbon dioxide receptors adjust to this in time, however, and the urgency disappears.

2. Develop a regular practice of conscious breathing.

Develop a closer relationship with your breath.  Don’t think about your breath more or try to control it.  Just become aware of it.  As you warm up on the bicycle, at what moment do you first become aware of your breath?  Be more fully in the experience of breathing — really feel the sensation of your breath moving in and out of your body.

3. Learn diaphragmatic breathing.

As you concentrate on deep breathing, you push your diaphragm down and the abdominals out.  If you’re doing it correctly, your abs will expand more than your chest.   I’m amazed when I hear an indoor cycling instructor still telling students to “hold their abdominals firm” to support the forward flexed body position on a bicycle.  (Support for forward flexion comes from the posterior core muscles, but that will be another post.)

 4.  Synchronize your breathing with your pedaling.

Try to synchronize your respiratory rhythm with your pedal cadence.  Start by focusing on pedaling.  Once you establish your cadence, organize your breathing with the turning of the pedals.  Inhale and exhale for the same number of pedal strokes.  This gives you a focal point while you’re cycling and keeps your breathing calm and regular, which moves more oxygen.

 5.  Change your rhythm.

Once you’ve established your inhale/exhale pattern and coordinated it with your pedal stroke, change it.  This idea has been expounded by numerous sources, most notably Ian Jackson in his book BreathPlay.  I’ve used BreathPlay techniques for a long time and find them helpful.  To strengthen the inspiratory muscles, you must do things that cause you discomfort.

The central BreathPlay skill is “upside-down breathing.” It involves pushing the air out and letting it in, instead of sucking it in and letting it out.  The change is simple but profound.  First, settle into a cadence.  Then explore pulling your belly back for a three-count out-breath and relaxing it for a two-count, passive in-breath.  Emphasize the three/two pattern.  Next, fit the breathing pattern to your pedal stroke:  three turns on the exhale and two turns on the inhale.

The 3/2 count is an easy way to start learning odd-count upside-down breathing patterns. Once you feel comfortable with the out/in 3/2 count, practice until you have the same level of comfort with a 5/2 count, a 2/1 count, a 4/1 count, a 4/3 count, and a 6/3 count. Whether you're out on the road or (in the studio), you'll need to be able to change breathing gears to accommodate changing work rates, and this repertoire of breathing patterns will give you a breathing gearbox. – Ian Jackson

Long-held patterns of breathing may actually have separated us from some of the natural strength, calmness, and energy we have within us.  Changing them could reconnect us with those.  Is anything more fundamental in our moment-to-moment experience, consciousness and awareness than our breath?

 

Originally posted 2012-05-14 08:50:35.