Welcome to the Indoor Cycle Instructor Podcast | ICI/PRO Premium Education free podcast. This episode was recorded live in San Diego CA by Amy and Joey while at the 2019 IHRSA Event. This episode is a general commentary on the show and a brief rundown of the people that we connected with at the show. We will have several more indepth episodes with Amy and Joey and then several episodes with the indiviuals and their companies throughout the year.
ICI/PRO contributor and future studio owner Callie Bowling Kelly responded with…
Hey John!
Here's my reply:
This is a fantastic question! If I may pull from my background in Psychology to get to the root of what may be occurring… this sounds like a case of Blockage to me. Blockage from trusting your unique genius to come through and guide you. You know what made you fall in love with indoor cycling, if you didn't you never would have gotten certified to teach in the first place, right!? Get back in touch with what it was that you loved most about cycle classes, and then re-create that passion in your own class.
There is no right or wrong way to set up a class… honestly! The industry is evolving so much that all sorts of studios and instructors are coming up with their own way and re-inventing the wheel so fast my head is spinning (pun intended). I give you complete permission to do whatever it is that feels fun and challenging to YOU and then implement that in your classroom, as long as it's safe of course!
I know all too well the pressure of being up in the front of the room, positioning yourself as a leader, and feeling like you have to perform. It is human nature to want acceptance. We crave it. But, wanting acceptance too badly can literally shut you down artistically, because you second guess every decision you make. We think: how is this going to be received, are they going to like my music, is my class hard enough, what if they think I don't know what I'm doing? All of those thoughts are counterproductive to getting up there and having a great time and inviting your class participants to do the same.
Here's a tip of mine on music and choreography for the ride: I pick EPIC music that has a beat and makes me want to move! For the choreography… I like to work intervals, so in my classes we go hard during the chorus and bridge and recover during the verses. It makes the workout follow the energy of the music which creates pure exercise magic in the class!
Hope that helps John!
Callie
You'll find Callie's fun and informative articles and interviews here.
Lena Hershey is a Spinning® Instructor & Fitness Blogger @ leanlena.com. She offer these practical tips that I feel are perfect for a new Instructor.
Hi John.
Thank you for including me into this. Here's what works for me:
1. Profile first – think “terrain”. Where are your wheels taking you after warm up? Hills? Fast flats? Off the road and through the mud? Lay it out on paper – draw! That really helps me visualize and make the class profile realistic and my cues to class “spot on” not just pure technical.
2. Put your profile onto music. Beware of the lyrics – just as it can be incredibly inspiring, it can ruin a perfectly wonderful intent. Listen carefully to the lyrics of the songs and make sure not just the musical but verbal message matches the purpose you're putting this piece in your class for. Too overwhelming? Go instrumental! Sometimes a non-verbal message of the music can be more powerful than verbal.
3. Ride it. There is nothing wrong in practicing your rides before teaching them – especially when you're new to teaching. It is not a sign of weakness and seasoned instructors do it, too. Get in that room, turn up the music and teach yourself that class you created. Make sure the music flows nicely piece to piece, and practice cueing your ride.
4. If you can't ride it, listen to your class playlist with your drawing in front of you and think of or say what you're going to say in class.
I know how daunting it can be to start putting your class profiles together. Some of them will be worse than others. You will fail before you succeed. Just remember that you're the only one who will notice the “failure” as you're the only one who knows what the plan is. If something doesn't go according to your plan in class, just move on. Your class will follow your lead, so smile and believe in yourself and your profile. Your pack will follow you!
Best regards, Lena Hershey.
Lena and I partnered on the 28 Day Instructor Challenge > what turned out to be a very fun exercise in self development for Instructors, over the course of a month. You can look back the challenge in this series of posts.
The Senior Group Fitness Instructor here Amy, dashed off these thoughts will sitting at the airport.
My quick and dirty response would be:
Categorize music with a beats per minute app on your computer. Climbs = 60 to 80 bpm, Flats = 80 to 100. This helps you ‘hear' the music and what it works best for. Start a playlist called ‘Climbs' and ‘Flats' and add to that playlist as you listen through music….just collect a bunch in each category. This gives you a couple master lists to work from to create classes.
Download ‘Shazam' on your phone. When you're out and about and hear a tune you like, you can ‘Shazam' it and determine the bpm later.
I would highly recommend a Spotify Premium account (approx. $10 a month). That way, you're not paying for individual tunes, but have a huge library and can maintain your lists there.
I label my profiles/playlists primarily by date. I have a small spiral notebook where I write (by hand) the playlist title, each tune, the bpm and time length. I keep this notebook in my gym bag and use it for every class. That way, there's no surprises.
I wasn't sure how to answer this question emailed to me from a new Instructor. So I blasted it out to a bunch of Smart & Talented Instructors I know for their responses.
John:
You and I have exchanged emails before. I am a relatively new instructor (at age 48!)…. Just got my first steady teaching gig (3 classes per week). What I find to be the single biggest challenge as a new instructor is music- music flow, and knowing what drills or activities to do to what music. It is SUPER easy to get a certification…. I am Madd Dogg certified, and will be attending my first WSSC this May. I feel at such a loss though when it comes to setting up a class…. And feel as though I let hours of time evaporate listening to music but not knowing how to incorporate it effectively into what I am doing….
I have a ton of respect for what you do and have been following your facebook page and blog for sometime. I am happy to buy an ICI/pro membership, I am just reluctant at this point to invest in any more resources that I underutilize. Wondering what advice you might have?Â
Thanks so much for your time!
Irene
Thanks for writing Irene! Here are a few ideas for you…
First from contributor Chris Hawthorne AKA Chrispins – that's a link to her excellent website. You can find all of Chris' informative ICI/PRO articles here)
Hi John,
Happy to help. Â Here's my answer:
The best way to know what drills or activities to do with your music is to find the BPM (beats per minute) of the songs you would like to use.  I use this handy  website to help me figure the BPM of new songs :  http://www.all8.com/tools/bpm.htm There are also several free apps that will do the same thing. Â
Once I have the BPM I transfer them into RPM (usually that means dividing by 2). Â Then I can plug the songs into my profile. Â Hills are 60-80 RPM's and Flats are 80-110. Â
Another helpful tip is to keep song folders so that you can easily have the songs you want to ‘plug in' to your profiles. Â I use Spotify, but you can do this in iTunes as well. Â You can have folders of songs labeled by BPM, or you can label them with titles such as ‘Warmup', ‘Flats', ‘Hills', ‘Cool Down', etc. Â
And don't be afraid to use other people's profiles and/or music until you get the hang of it. Â There a a lot of great instructors sharing their profiles and playlists out there on Facebook, blogs, and sites like ICI/PRO and Pedal-On.
In response to her simple, yet complicated questions. Here is my answer:
The most basic way to address this is to think of your class in two parts. Â
1. The design of your class
2. The music you will play to fit the design
For me, the design comes first. I decide what I want to do in the class. The warm up is first, and the cool down is last. What goes in between? I teach the “newer vertical” of Indoor Cycling or rhythmic style classes. So for me, “everything in between” is usually a combination of drills that move side to side or front to back, climbs and sprints. Â
When it comes to listening to music, it should clear right from the first listen, “this is a sprint song” or “this is a climb”. If you have to spend a lot of time deciding what type of song it is, it probably isn't a good song for you to use. Within my iTunes, I create playlists dedicated to different sections of my classes. I have playlists called “Climbs”, “Sprints”, Weights, “Figure 8s”, “Warm Ups”,  “Meditations” and “Cool Downs”, for example. When I find a song that fits a category, I add it to the proper playlist. Â
When building my class, I take the basic design and plug in the songs. This works well for the beginner instructor. Â
Still having a difficult time? Stop searching for “new” music, and use music that you know and love. Your energy will shine because it's a song that you feel comfortable playing vs. looking crazy because you are trying to make a song that you don't know “fit or work”. Â
Cassie
Cassie is also a Social Media expert – she offers her ideas on tracking the success of your social media campaigns in this episode of the podcast.
I teach either performance-oriented timed interval rides or visualization rides. In the first case, I pick music to accompany the intervals based on rhythm (appropriate cadence, level of aggression) and length. It is definitely simplest to have intervals of fixed length and layer songs on top which motivate riders.
But visualization rides require helping your participant engage with the course. I ride my bike outdoors year-round and I base my visualization rides on routes I've been on. I tend to turn to my own feelings during those rides. Over rolling hills on a beautiful day, I can get lost in a smooth electronic track with a steady beat. On sharp, punchy climbs with the wind in my face, I need the hook from an aggressive rap track or a wailing guitar from a punk rock song. From my outdoor experiences, knowing there are multiple climbs or anticipating a hard sprint in a group ride, it is okay for the music to run on a little long, to build up, to create some frantic energy.
To manage musical flow, you have to understand the physical demands of the ride. If it's going to be a long, hard ride with little rest, don't be afraid to keep things aggressive – but remember to lighten up at the end of an effort. Every climb eventually ends, every sprint has a finish line, and, at some point, you can always choose to turn out of the wind. Your music should do the same.
Dunte and I had a fun conversation here where you can hear why I instantly added him to the Smart & Talented list 🙂
I've got a bunch more responses that you'll find here. But before you go… how would you have responded?
Back on ICI Podcast #125 — Barbara Hoots Explains How To Get Your Playlist Order Right, Barbara explained the importance of using recognizable music in your class as an important little detail your class will really appreciate and enjoy. But the solution may not be playing the same old tired version everyone has heard a thousand times. Finding a new version, in the form of a cover, re-mix or mash-up, can really freshen up your playlist and add that special connection we all look to make with our students.
So where do you find these tracks?
Better question; where do you find these tracks and download them for FREE?
Barbara turned me on to soundcloud.com as a fantastic source for music – much of it is not only free, but legal 🙂 Sound Cloud's users are made up of DJ's and Bands that upload their latest creations. Some are available as free downloads.
Like any other music discovery process, navigating through Sound Cloud will take some time. We're all spoiled with by the speed of iTunes' music sampling (I hate clicking and then waiting for something to happen) and I don't think you'll be disappointed by Sound Cloud. Their streaming is very fast and you can click on the music wave form to quickly sample within the song!
Go ahead and create a profile at Sound Cloud
Here's how to search Sound Cloud so you only see tracks that can be downloaded – NOTE: some tracks may have reached their download limit and no longer available. At the top go to Tracks > Search for Tracks and then tick the box for Show Advanced Search Options to see this: (click image to enlarge)
I set the Track/set type to Remix and then add search terms into the Tags/genres box. You may also what to choose the length of songs, long = ~9 minutes or more. Looking for a fun 80's mix? Try this one (it includes promos). Dj Vegaz – In The Lab – April 2010 Eighties Rock by Dj Vegaz
Click the little down arrow on the right to download.