I've been getting much of musical inspiration from Movie soundtracks as of late. I'm still digging Zack Hemsey — Vengeance that I first heard used in the movie The Equalizer.
The beauty of the Internet (at leased for now) is how easy it is to find best soundtracks, from movies I'll probably never see. This website has a fun list that I've been working off of. Reviews of Wish I Was Here weren't very good, but it did include this gem. [wlm_private ‘PRO-Platinum|PRO-Monthly|PRO-Gratis|PRO-Seasonal|Platinum-trial|Monthly-trial|PRO-Military|30-Days-of-PRO|90 Day PRO|Stages-Instructor|Schwinn-Instructor|Instructor-Bonus|28 Day Challenge']
Brandon Boyd — Runaway Train is a very complex track. It's in 4/6 time (a waltz) so it's counted out as; one, two, three, four, five, six – or more simply; one, two, three, one, two, three. Waltzes are very helpful for the rhythmically challenged (primarily men) and (being a man) I know this irregular pattern is easier to catch and pedal to 🙂
Add in all of the stereo effects and powerful drums, this track could reach some folks that your normal mix doesn't.
Continuing to use music out of my comfort zone, I bring you this week's Free Music Friday.
A 62 rpm climb to encourage your class to truly feel what's going on with their bodies. I coach them to be okay with, and embrace, however the intense work is feeling- good or bad.
This English singer-songwriter and producer is the first non-talent show act to be signed by Simon Cowell to his record label in over 6 years.[wlm_private ‘PRO-Platinum|PRO-Monthly|PRO-Gratis|PRO-Seasonal|Platinum-trial|Monthly-trial|PRO-Military|30-Days-of-PRO|90 Day PRO|Stages-Instructor|Schwinn-Instructor|Instructor-Bonus|28 Day Challenge']
Here is the original (mellow) acoustic version of ‘Jealous' by Labrinth:
Do you find yourself using the same kind/ genre of music for specific work? For example, does most of your ‘climb' music sound much the same, and your ‘flat road' music has a tell tale sound as well?
Mine does! When my daughters hear my playlist they'll say, “Oh, this is a climb”, or “Is this a flat?”
But every once in awhile, it's fun to throw everyone for a loop and ask for high intensity work with a hypnotic sound. It encourages feeling and embracing the work on a different level.[wlm_private ‘PRO-Platinum|PRO-Monthly|PRO-Gratis|PRO-Seasonal|Platinum-trial|Monthly-trial|PRO-Military|30-Days-of-PRO|90 Day PRO|Stages-Instructor|Schwinn-Instructor|Instructor-Bonus|28 Day Challenge']
This song, from the 25 year old Canadian, Kiesza, is 4:27 long, with rpm's of 65. It's highly motivating for a top effort climb, but promotes a ‘look within' while doing it.
In many of my “The Power of 3” posts I have written about the importance of “anchoring” time and effort. In it's most basic terms this means that the shorter the interval the higher the effort. If you instruct on bikes with power, then a higher effort should also translate to a higher wattage. This “anchoring” concept holds true as long as riders are given appropriate rest or recovery after each interval or hard effort. If riders are not given enough recovery between intervals their effort may still be high but their output or wattage will start to drop as fatigue increases. The ability to see this phenomenon is one of the most “powerful” features of a bike with a wattage meter.
The theme for my Above Threshold classes this month is to show my participants the importance of recovery. Over the last few months I've been using a lot of interval sets where I decrease the interval time from interval to interval and I expect to see a higher average wattage for each interval. For example I may have my participants perform intervals of 5, 4, 3, 2, and 1 minutes, each interval is followed by a 2 minute recovery, with the goal of increasing average wattage for each interval. This month I'll have my riders perform the same intervals, but I plan on reducing the recovery time to as low as 30 seconds between each interval. At the beginning of the month I expect to see wattage drop from interval to interval, as the body fatigues from lack of recovery. In the middle of the month I expect the see wattage held steady from interval to interval and by the end of the month, as the body adapts, I hope to see wattage again increase as the interval time decreases.
The body is truly an amazing organisms and it adapts to the stresses it faces, be patient and enjoy the process.
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The Power of 3 – “More Rest = More Work”
“Without You (Sample Gee Remix, Melker Edit)” by David Guetta vs U2
“Pompeii (Audien Remix)” by Bastille
“The Monster (eSQUIRE vs OFFBeat Remix)” by Eminem & Rihanna
3 song harmonically mixed track, to download Right Click > Save As / Save Target As to download. Open in iTunes and then you'll see this in your Spotify Local File folder.
Yep, I'm teaching another class where we're using weights!
I'm pretty excited. I'm subbing a Cycle Sculpt class tomorrow! Cycle Sculpt is a branded class format at Life Time Fitness, designed to attract the crowd who would be interested in a SoulCycle like class. This won't be my first time teaching this format – a little over a year ago I had the privilege and wrote about my experience here.
This class format has been evolving. Instead of using weights/bands while on the bikes, now we split the class up into two groups; half ride while the other half completes Boot Camp style circuit training on the floor.
It's like herding cats
Yesterday I discussed with Kadi (it's her class) how she conducted the class. She explained that it can get a little chaotic with so many people moving around the room – she typically has ~50 people. “Give each group a simple objective that they can complete on their own” was her advice, along with doing my best to keep everyone smoothly moving and focused.
As a side note I will be interested to see how many people I recognise. My previous experience was that most of the participants were completely unknown = they don't come to regular cycling classes.
I'm all about self-directed work. So I created the simple profile below and I'm (pretty)confident everyone will be able to follow it successfully 🙂
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I'm doing a pretty normal warm up with a series of accelerations during the second track.
A.R. Rahman — Bobbleheads Life Time calls these a Reset = not a real recovery, but a reduced effort ridden to a short fun track.
Avicii — Heart Upon My Sleeve 3:30 Best Effort (this class will still incorporate Power/Watts) that starts one minute into the song. Here's where everyone can observe their PTP.
Jens Buchert — Crypton Recover and discover Base Watts – the wattage that has you working just above “Chatty” (early part of Zone 3 HR using a 5 Zone system).
Each track that follows is about five minutes long. The “On” (riding) group will directed to complete these distances each time they're on the bike:
Men ride 1.5 miles (at 20 mph this should take about 4:30)
Women ride 1 mile
Then complete the segment at “Base Watts” If you get Chatty that means you're not working as hard as you've been assigned.
I love hearing comments like; “I'm giving it everything I've got!” when I'm off the bike, working the room. I asked for their Best Effort and they are delivering. The only thing left is handing out their ribbons 🙂
So what makes for a great Best Effort track? My personal belief is that it needs sound very powerful when played LOUD and has a building intro to give riders a chance to get set. That's pretty much it. Cadence RPM is open and of course you'd want it at the length you intend.
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Samples — Malbec is perfect for that last three minute/Big Finish/Best Effort. Nice 20 second intro before a big hit @ 93RPM to send you on your way. Then there's a quiet section, a minute into the effort, where you can question everyone with:
Is this really your best effort? If not add it now and hit the Stage button again to re-commit.
Here's an interesting mashup your class might enjoy.
